The Dispossessed: An Ambiguous Utopia is a 1974 utopian science fiction novel by American writer Ursula K. Le Guin, set in the fictional universe of the seven novels of the Hainish Cycle, e.g. The Left Hand of Darkness. The book won the Nebula Award for Best Novel in 1974, as well as winning both the Hugo and Locus Awards in 1975, and received a nomination for the John W. Campbell Memorial Award in 1975. It achieved a degree of literary recognition unusual for science fiction due to its exploration of themes such as anarchism (on a satellite planet called Anarres) and revolutionary societies, capitalism, and individualism and collectivism. It features the development of the mathematical theory underlying a fictional ansible, an instantaneous communications device that plays a critical role in Le Guin's novels in the Hainish Cycle. The invention of an ansible places the novel first in the internal chronology …
The Dispossessed: An Ambiguous Utopia is a 1974 utopian science fiction novel by American writer Ursula K. Le Guin, set in the fictional universe of the seven novels of the Hainish Cycle, e.g. The Left Hand of Darkness. The book won the Nebula Award for Best Novel in 1974, as well as winning both the Hugo and Locus Awards in 1975, and received a nomination for the John W. Campbell Memorial Award in 1975. It achieved a degree of literary recognition unusual for science fiction due to its exploration of themes such as anarchism (on a satellite planet called Anarres) and revolutionary societies, capitalism, and individualism and collectivism. It features the development of the mathematical theory underlying a fictional ansible, an instantaneous communications device that plays a critical role in Le Guin's novels in the Hainish Cycle. The invention of an ansible places the novel first in the internal chronology of the Hainish Cycle, although it was the fifth published.
Lo increíble que escribe esta mujer... Qué gigantesco ejercicio de imaginación, de luz, de humanidad. Me ha parecido precioso y real. Se ve perfectamente toda la complejidad que no se narra pero que la autora ha imaginado y considerado, y toda la voluntad de perseguir un mundo mejor.
Un libro di fantascienza geniale, avvincente e al tempo stesso ricco di significato. Negli ultimi anni ho tratto grande piacere dallo studio del pensiero anarchico e delle sue differenze con il comunismo autoritario (e chiaramente con il capitalismo). Penso che il pensiero anarchico sia criminalmente escluso dagli studi scolastici e che moltissime persone, per questo motivo, non sappiano realmente cosa sia. I reietti dell'altro pianeta immagina un'utopia anarchica, dandole però sostanza: è bellissimo vedere come funzionerebbe una società anarchica secondo Ursula Le Guin, anche perché ne presenta anche le possibili criticità. La critica feroce alla concezione del lavoro e dello sfruttamento nel capitalismo sono da pelle d'oca. Ho imparato più sull'anarchia leggendo lei che leggendo Kropotkin!
Content warning Spoliers
I love Ursula but this has been my least liked book of hers so I'm giving 4 stars instead of 5. I enjoyed the heavy intellectual ideas. I enjoyed the romance. I was utterly destroyed that she made this main character who I had thoroughly liked, out of nowhere sexually assault a woman because he experiences alcohol for the first time in his life. The way it's written is really fucking blaming the woman victim character while our main character dude just gets to brush it off and go on with his life as the hero and doesn't even think about this incident for even one goddamn second for the rest of the book. I know Ursula took some serious thoughts about feminism later in life and made some apologies and changes in her writing with the Earthsea series which I thought was wonderful. I really wish she had taken the time to go back and edit or at least write an apology about this. It fucking sucks. The rest of the story is great. This one scene should be deleted. It's fucking horrible. And no it's totally not believable that creating an anarchist communist society would suddenly erase rape and that rape is just an invention of capitalism and greed. Yea no. I can't bite down on that idea at all. The other heavy ideas make sense but only up to a point and then it's just like trying to say capitalism causes humans to rape. Like no fuck you. Rapists are psychopaths. They are the same as murderers. They are born with it in their brain. They cannot feel empathy. They are predators. Society can't make them do it or not do it. They exist in every society through all time. They can't be fixed either. And a man who is absolutely loving to his true love, his little daughters will not just suddenly sexually assault a woman because he got exposed to capitalism and alcohol and "went crazy." Fucking bullshit rape apology sexist bullshit. And then feel absolutely no remorse about it? Cmon!!
The cover blurb for The Dispossessed makes it sound like a thrilling exciting narrative, filled with tension and action:
Shevek, a brilliant physicist, decides to take action. He will seek answers, question the unquestionable, and attempt to tear down the walls of hatred that have isolated his planet of anarchists from the rest of the civilized universe. To do this dangerous task will mean giving up his family and possibly his life—Shevek must make the unprecedented journey to the utopian mother planet, Urras, to challenge the complex structures of life and living, and ignite the fires of change.
But that's not what it is, and it's certainly not Le Guin's focus. This is clear in the way she avoids what might be the more dramatic elements of the story, or distances us from them in how they are portrayed. The story is bookended by two examples of that. The opening …
The cover blurb for The Dispossessed makes it sound like a thrilling exciting narrative, filled with tension and action:
Shevek, a brilliant physicist, decides to take action. He will seek answers, question the unquestionable, and attempt to tear down the walls of hatred that have isolated his planet of anarchists from the rest of the civilized universe. To do this dangerous task will mean giving up his family and possibly his life—Shevek must make the unprecedented journey to the utopian mother planet, Urras, to challenge the complex structures of life and living, and ignite the fires of change.
But that's not what it is, and it's certainly not Le Guin's focus. This is clear in the way she avoids what might be the more dramatic elements of the story, or distances us from them in how they are portrayed. The story is bookended by two examples of that. The opening sees Shevek - although we don't know it's him at this stage - leaving his homeworld and causing quite a bit of upset, seen from the viewpoint of a minor character who never reappears. And the book ends abruptly with no certainty of an outcome.
The capitalist society on the planet Urras that Shevek travels to felt too much like 1950s America rather than some far flung society thousands of years in the future. Other elements of the novel such as Shevek's unfortunate sexual dalliance, the possibility of defecting from the capitalist society to a nearby communist society, and getting caught up in a riot really don't amount to much and the plot as a whole is quite thin.
What I did like about the book was Le Guin's vivid portrayal of a functioning anarchist society on Shevek's homeworld Anarres. And Shevek himself was a likeable character.
The book is more concerned with the question of whether a truly anarchist society can survive, given the generally acquisitive nature of humanity, and during the story there is an indication that even this utopia will fall foul of the general tendency for all systems of government to move towards a hierarchy of control. Shevek struggles against this tendency: "We’ve been saying, more and more often, you must work with the others, you must accept the rule of the majority. But any rule is tyranny. The duty of the individual is to accept no rule, to be the initiator of his own acts, to be responsible. Only if he does so will the society live, and change, and adapt, and survive."
We never know if Shevek achieves what the cover blurb says. There's not much indication that the capitalist society will change because of him, though the anarchist society may survive if they take the example of his life to heart. But with no certainty about how the story ends, all we are left with is a political thought experiment.
Overall, a good book because I enjoy SF and I was mentally stimulated by some of the ideas about social structures. The reason why I give it 3 stars and not 4 is that it seemed to me that the author was trying too hard to describe the philosophy at the cost of the SF aspect.
Una obra que vuelve a usar la ciencia ficción como entrada pero que es un análisis y una reflexión sobre la sociedad, desde la luna Anarres, donde la sociedad se organiza en un modo anarquista/socialissta al planeta Urras, donde tras un conflicto estos últimos fueron expulsados y donde el planeta se organiza en base a oligopolios y un capitalismo salvaje. Como nexo entre ambos mundos el protagonista intenta establecer un diálogo, intentando propiciar el desarrollo de ambas sociedades con la colaboración científica. Un libro que no deja de ser una reflexión y un golpe sobre la mesa sobre la política, la sociedad y el papel de la ciencia y los científicos.
very deep personal relationship with this book
